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BRIAN MICHAEL MOORE

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TENOR

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Tenor Brian Michael Moore returns to the Semperoper Dresden to revive the role of Tybalt in Gounod’s Roméo et Juliette. He also returns to Konzert und Theater St Gallen this season appearing as Ferrando in Così fan tutte and Rodolfo in La bohème before reprising the role of Cavaradossi in Des Moines Metro Opera's production of Verdi's Tosca.

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2025
& 2026

BIZET'S CARMEN

DON JOSÉ | OPER IM STEINBRUCH

Mr. Moore performs Don Jose's "La fleur que tu m'avais jetée" aria in Oper im Steinbruch's 2023 production of Carmen.

Explore all performances by Mr. Moore.

TENOR BRIAN MICHAEL
MOORE

hails from Cincinnati, Ohio. Tenor Brian Michael Moore returns this season to Konzert und Theater St Gallen with his role debuts as Cavaradossi in Puccini’s Tosca, The Prince in Prokofiev’s Die Liebe zu den Drei Orangen, Macduff in Verdi’s Macbeth, and Alfred in J. Strauss’s Die Fledermaus. He will also make his debut at the Semperoper Dresden as Tybalt in Gounod’s Roméo et Juliette. He recently appeared as Don José in Bizet’s Carmen at Oper im Steinbruch in St Margarethen, Austria, as well as Hoffmann in Offenbach’s Les Contes d’Hoffmann at Opera Gothenburg, and Tybalt in Romeo et Juliette at Theater an der Wien. Brian left the Frankfurt ensemble to pursue a freelance career, but not before performing such roles as the title role in Benjamin Britten’s The Prodigal Son, Flute in Britten’s A Midsummer Night’s Dream, Narraboth in Strauss’s Salome, the Chevalier in Schreker’s Der ferne Klang, and many others.

"FINELY NUANCED, RADIANT & FREE."

“Brian Michael Moore gives Rodolfo a voice that impresses, less with its breadth than with its directness. His timbre is bright, pointed, with clear projection and without superfluous pathos. In “Che gelida manina,” his tone resembles a tentative plea, controlled and finely nuanced. In the more powerful passages, however, any trace of timidity disappears; the voice opens up and unfolds its full energy, radiant and free. The result is a Rodolfo whose expression thrives on tension, between restraint and rebellion, between longing and the courage to speak out.”

"FULLY FORMED... STYLE &
FLAIR."

“...the one cast member who emerged fully formed and ready to step onto the stage of a major opera house was Brian Michael Moore... His endearing presence was complemented by a ringing lyric tenor with style and flair worthy of Wunderlich, and his top notes soared effortlessly...”

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